| 제목 |
밀레니엄 전환기의 문화인론 ; 주제논문 2 / 새 천년의 기독교 문화와 연극 - 보이는 것을 통한 보이지 않은 연극의 추구를 향하여 - |
| 영문 제목 |
Cultural Theories in the Transition to a New Millenium ; A Christian Culture and |
| 저자 |
김대현 (Dai Hyun Kim) (호서대학교 공연영상학부 교수)
|
| 다운로드 |
52200253.PDF
(787 KB)
|
| 논문 구분 |
특집논문 |
예술 |
| 발행 기관 |
통합연구 (ISSN 1226-1157) |
| 발행 정보 |
제13권 1호 (통권 36호) |
| 발행 년월 |
2000년 03월 |
| 국문 초록 |
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| 영문 초록 |
There has been many tries that enclose theatrical elements to the worship. But we have to notice some problems in these tries. Because the theatre is consisted of many elements included human bodies, sets, costumes, lights, many other dramatic devices, we are inclined to concentrate our senses only on spectacles or the outer surface of performance. The proposal of `the invisible theatre` or `a theatre as a process` in this thesis is related closely with the contemporary tendency. In `the invisible theatre` or `a theatre as a process` the surface elements of performance are not accented any more. On the contrary, the process of production and the use of theatre as of tool for education are more important. If we are going to use the theatre in a worship, the invisible theatre is more suitable than the traditional theatre. That is, the theatre is use a tool for the christian education and the training for the maturity of our faith. |
| 키워드 |
연극, 기독교 문화, 새천년 |
